Ludlow 38 Archive

In Perspective: MINI/Goethe-Institut Curatorial Residencies Ludlow 38 (2011–2019)

Ludlow 38
Archive

Ludlow 38
Archive

Images & Video

2019
Franziska Sophie Wildförster

Paul Maheke with the participation of Ligia Lewis and Nkisi, Levant, 2019, installation view, Ludlow 38, Photo: Carter Seddon Paul Maheke with the participation of Ligia Lewis and Nkisi, Levant, 2019, installation view, Ludlow 38, Photo: Carter Seddon Paul Maheke with the participation of Ligia Lewis and Nkisi, Levant, 2019, installation view, Ludlow 38, Photo: Carter Seddon Paul Maheke with the participation of Ligia Lewis and Nkisi, Levant, 2019, installation view, Ludlow 38, Photo: Carter Seddon Paul Maheke with the participation of Ligia Lewis and Nkisi, Levant, 2019, installation view, Ludlow 38, Photo: Carter Seddon Paul Maheke with the participation of Ligia Lewis and Nkisi, Levant, 2019, installation view, Ludlow 38, Photo: Carter Seddon Paul Maheke with the participation of Ligia Lewis and Nkisi, Levant, 2019, installation view, Ludlow 38, Photo: Carter Seddon Paul Maheke with the participation of Ligia Lewis and Nkisi, Levant, 2019, installation view, Ludlow 38, Photo: Carter Seddon Paul Maheke with the participation of Ligia Lewis and Nkisi, Levant, 2019, installation view, Ludlow 38, Photo: Carter Seddon Paul Maheke with the participation of Ligia Lewis and Nkisi, Levant, 2019, installation view, Ludlow 38, Photo: Carter Seddon Paul Maheke with the participation of Ligia Lewis and Nkisi, Levant, 2019, installation view, Ludlow 38, Photo: Carter Seddon Paul Maheke with the participation of Ligia Lewis and Nkisi, Levant, 2019, installation view, Ludlow 38, Photo: Carter Seddon Ramaya Tegegne, That you can’t fight City Hall is a rumor being spread by City Hall, 2019, installation view, Ludlow 38. Photo: Carter Seddon Ramaya Tegegne, Becks/Saylors, 2019, removal of the display Remodel (2011) by Martin Beck & Ken Saylor, installation view, Ludlow 38. Photo: Carter Seddon Ramaya Tegegne, Becks/Saylors, 2019, removal of the display Remodel (2011) by Martin Beck & Ken Saylor, installation view, Ludlow 38. Photo: Carter Seddon Ramaya Tegegne, That you can’t fight City Hall is a rumor being spread by City Hall, 2019, installation view, Ludlow 38. Photo: Carter Seddon Ramaya Tegegne, That you can’t fight City Hall is a rumor being spread by City Hall, 2019, installation view, Ludlow 38. Photo: Carter Seddon Ramaya Tegegne, That you can’t fight City Hall is a rumor being spread by City Hall, 2019, installation view, Ludlow 38. Photo: Carter Seddon Ramaya Tegegne, Emails, 2019, email thread printed on paper, installation view, Ludlow 38. Photo: Carter Seddon. Courtesy the artist Ramaya Tegegne, That you can’t fight City Hall is a rumor being spread by City Hall, 2019, installation view, Ludlow 38. Photo: Carter Seddon Ramaya Tegegne, Becks/Saylors, 2019, removal of the display Remodel (2011) by Martin Beck & Ken Saylor, installation view, Ludlow 38. Photo: Carter Seddon Ramaya Tegegne, Discussion at Fri Art Fribourg, 2019, recording of a discussion on artist fees and working conditions organized by Ramaya Tegegne at Fri Art Fribourg on October 11, 2018, installation view, Ludlow 38. Photo: Carter Seddon Ramaya Tegegne, That you can’t fight City Hall is a rumor being spread by City Hall, 2019, installation view, Ludlow 38. Photo: Carter Seddon Ramaya Tegegne, Starhawks, 2019, crystal bowl with our Waters of the Worlds, installation view, Ludlow 38. Photo: Carter Seddon Ramaya Tegegne, That you can’t fight City Hall is a rumor being spread by City Hall, 2019, installation view, Ludlow 38. Photo: Carter Seddon Ramaya Tegegne, That you can’t fight City Hall is a rumor being spread by City Hall, 2019, installation view, Ludlow 38. Photo: Carter Seddon Ramaya Tegegne, That you can’t fight City Hall is a rumor being spread by City Hall, 2019, booklet, digital print on paper, installation view, Ludlow 38. Photo: Carter Seddon Ramaya Tegegne, That you can’t fight City Hall is a rumor being spread by City Hall, 2019, booklet, digital print on paper, installation view, Ludlow 38. Photo: Carter Seddon Ramaya Tegegne, That you can’t fight City Hall is a rumor being spread by City Hall, 2019, booklet, digital print on paper, installation view, Ludlow 38. Photo: Carter Seddon Ramaya Tegegne, That you can’t fight City Hall is a rumor being spread by City Hall, 2019, installation view, Ludlow 38. Photo: Carter Seddon. Courtesy the artist Ramaya Tegegne, Business Hours of Ludlow 38, 2019, installation view, Ludlow 38. Photo: Carter Seddon Installation view Installation view Installation view Spice, detail Spice, detail Spice, detail Spice, detail Spice, detail Spice, detail Spice, detail Installation view Spice, detail Spice, detail Spice, detail Spice, detail Spice, detail Installation view Installation view Installation view Installation view Installation view Spice, detail Installation view Installation view moments are hard, 2019, shelf, isolation foam moments are hard, 2019, shelf, isolation foam moments are hard, 2019, shelf, isolation foam Installation view Installation view Installation view as already, 2019, fridge, radiator, metal rods Installation view can be soft, 2019, mattress Untitled, 2019, laptop, video, sound as already, 2019, fridge, radiator, metal rods Installation view Cruising Pavilion, New York Cruising Pavilion, New York Cruising Pavilion, New York Cruising Pavilion, New York Cruising Pavilion, New York Horace Gifford Horace Gifford Horace Gifford Madelon Vriesendorp Robert Getso Kayode Ojo Robert Yang Robert Yang Victoria Colmenga Ann Krsul, Amy Cappellazzo, Alexis Roworth & Sarah Drake Ann Krsul, Amy Cappellazzo, Alexis Roworth & Sarah Drake Madelon Vriesendorp Jürgen Mayer H. John Lindell John Lindell Carlos Reyes Shu Lea Cheang DeSe Escobar Charles Terrell

2018
Avi Feldman

Image: courtesy of Adelita Husni Bey Image: Ian Douglas Image: Raoul Anchondo Image: Raoul Anchondo Image: Raoul Anchondo Image: Raoul Anchondo Photographs courtesy of Adelita Husni Bey. Photographs courtesy of Adelita Husni Bey. Photographs courtesy Adelita Husni Bey. Photographs courtesy of Adelita Husni Bey. Photographs courtesy of Adelita Husni Bey. Photographs courtesy Adelita Husni Bey. Photographs courtesy of Adelita Husni Bey. Photographs courtesy of Adelita Husni Bey. Photographs courtesy of Adelita Husni Bey. Photographs courtesy of Adelita Husni Bey. Save the Presidents, Alex Strada and Tali Keren, still, 2017 Studio Jonas Staal, New World Summit - Utrecht, 2016, Photo: Nieuwe Beelden Makers Yazan Khalili, Robbery in Area A (2013 - 2016), video still (c) Goethe-Institut New York. Photo: Hinda Weiss (c) Goethe-Institut New York. Photo: Hinda Weiss (c) Goethe-Institut New York. Photo: Hinda Weiss (c) Goethe-Institut New York. Photo: Hinda Weiss (c) Goethe-Institut New York. Photo: Hinda Weiss (c) Goethe-Institut New York. Photo: Hinda Weiss (c) Goethe-Institut New York. Photo: Hinda Weiss (c) Goethe-Institut New York. Photo: Hinda Weiss (c) Goethe-Institut New York. Photo: Hinda Weiss <i>Save the Presidents</i>, Alex Strada and Tali Keren, still, 2017  Devin Kenny, too much to ignore, (video still) 2018 (c) Goethe-Institut New York (c) Goethe-Institut New York (c) Goethe-Institut New York. Photo: Hinda Weiss (c) Goethe-Institut New York. Photo: Hinda Weiss (c) Goethe-Institut New York. Photo: Hinda Weiss (c) Goethe-Institut New York. Photo: Hinda Weiss (c) Goethe-Institut New York. Photo: Hinda Weiss (c) Goethe-Institut New York. Photo: Hinda Weiss (c) Goethe-Institut New York. Photo: Hinda Weiss (c) Goethe-Institut New York. Photo: Hinda Weiss (c) Goethe-Institut New York. Photo: Hinda Weiss jackie sumell's Solitary Gardens (design) Photo: Ajkuna Hoppe Photo: Ajkuna Hoppe Photo: Ajkuna Hoppe Amy Elkins, The Sunshine State (data collected in 2010 / revisited and reworked in 2017) (c) Goethe-Institut New York. Photo: Hinda Weiss (c) Goethe-Institut New York. Photo: Hinda Weiss (c) Goethe-Institut New York. Photo: Hinda Weiss (c) Goethe-Institut New York. Photo: Hinda Weiss (c) Goethe-Institut New York. Photo: Hinda Weiss (c) Goethe-Institut New York. Photo: Hinda Weiss (c) Goethe-Institut New York. Photo: Hinda Weiss (c) Goethe-Institut New York. Photo: Hinda Weiss (c) Goethe-Institut New York. Photo: Hinda Weiss (c) Goethe-Institut New York. Photo: Hinda Weiss (c) Goethe-Institut New York. Photo: Hinda Weiss (c) Goethe-Institut New York. Photo: Hinda Weiss (c) Goethe-Institut New York. Photo: Hinda Weiss (c) Goethe-Institut New York. Photo: Hinda Weiss (c) Goethe-Institut New York. Photo: Hinda Weiss (c) Goethe-Institut New York. Photo: Hinda Weiss (c) Goethe-Institut New York. Photo: Hinda Weiss (c) Goethe-Institut New York. Photo: Hinda Weiss (c) Goethe-Institut New York. Photo: Hinda Weiss 母抱淘宝子 / Mother Holding Taobao Child / Installtion view courtesy of the artists and 47 Canal, New York. Photos by Joerg Lohse Mały Powstaniec (The Little Upriser) (c) Goethe-Institut New York; MINI/Goethe-Institut Curatorial Residencies Ludlow 38 (c) Goethe-Institut New York; MINI/Goethe-Institut Curatorial Residencies Ludlow 38 (c) Goethe-Institut New York; MINI/Goethe-Institut Curatorial Residencies Ludlow 38 (c) Goethe-Institut New York; MINI/Goethe-Institut Curatorial Residencies Ludlow 38 (c) Goethe-Institut New York; MINI/Goethe-Institut Curatorial Residencies Ludlow 38 (c) Goethe-Institut New York; MINI/Goethe-Institut Curatorial Residencies Ludlow 38 (c) Goethe-Institut New York; MINI/Goethe-Institut Curatorial Residencies Ludlow 38 (c) Goethe-Institut New York; MINI/Goethe-Institut Curatorial Residencies Ludlow 38 (c) Goethe-Institut New York; MINI/Goethe-Institut Curatorial Residencies Ludlow 38 (c) Goethe-Institut New York; MINI/Goethe-Institut Curatorial Residencies Ludlow 38 (c) Goethe-Institut New York; MINI/Goethe-Institut Curatorial Residencies Ludlow 38 (c) Goethe-Institut New York; MINI/Goethe-Institut Curatorial Residencies Ludlow 38 (c) Goethe-Institut New York; MINI/Goethe-Institut Curatorial Residencies Ludlow 38 (c) Goethe-Institut New York; MINI/Goethe-Institut Curatorial Residencies Ludlow 38 (c) Goethe-Institut New York; MINI/Goethe-Institut Curatorial Residencies Ludlow 38 (c) Goethe-Institut New York; MINI/Goethe-Institut Curatorial Residencies Ludlow 38 (c) Goethe-Institut New York; MINI/Goethe-Institut Curatorial Residencies Ludlow 38 (c) Goethe-Institut New York; MINI/Goethe-Institut Curatorial Residencies Ludlow 38 (c) Goethe-Institut New York; MINI/Goethe-Institut Curatorial Residencies Ludlow 38 Heat Signature, Tali Keren, installation view Credit: Roy Rochlin / Goethe-Institut New York Credit: Roy Rochlin / Goethe-Institut New York Credit: Roy Rochlin / Goethe-Institut New York Credit: Roy Rochlin / Goethe-Institut New York Credit: Roy Rochlin / Goethe-Institut New York Credit: Roy Rochlin / Goethe-Institut New York Credit: Roy Rochlin / Goethe-Institut New York Credit: Roy Rochlin / Goethe Institut / MINI/Goethe-Institut Curatorial Residencies Ludlow 38 (c) Goethe-Institut New York. Photo: Gareth Smit (c) Goethe-Institut New York. Photo: Gareth Smit (c) Goethe-Institut New York. Photo: Gareth Smit (c) Goethe-Institut New York. Photo: Gareth Smit (c) Goethe-Institut New York. Photo: Gareth Smit (c) Goethe-Institut New York. Photo: Gareth Smit (c) Goethe-Institut New York. Photo: Gareth Smit (c) Goethe-Institut New York. Photo: Gareth Smit (c) Goethe-Institut New York. Photo: Gareth Smit Hinda Weiss, <i>5846, 5851, and 5852 vs. the Population and Immigration Authority</i>, video still, 2017 Hinda Weiss Hinda Weiss Hinda Weiss Hinda Weiss Hinda Weiss Hinda Weiss Hinda Weiss Hinda Weiss Doris Liebscher  Maria Starzmann Avi Feldman Avi Feldman Chip Berlet Doris Liebscher Doris Liebscher and Chip Berlet <i>Save the Presidents</i>, Alex Strada and Tali Keren, still, 2017 Tali Keren and Alex Strada Tali Keren and Alex Strada Tali Keren and Alex Strada Tali Keren and Alex Strada Tali Keren and Alex Strada Tali Keren and Alex Strada Tali Keren and Alex Strada (c) Goethe-Institut New York. Photo: Gareth Smit (c) Goethe-Institut New York. Photo: Gareth Smit (c) Goethe-Institut New York. Photo: Gareth Smit (c) Goethe-Institut New York. Photo: Gareth Smit (c) Goethe-Institut New York. Photo: Gareth Smit (c) Goethe-Institut New York. Photo: Gareth Smit (c) Goethe-Institut New York. Photo: Gareth Smit (c) Goethe-Institut New York. Photo: Hinda Weiss (c) Goethe-Institut New York. Photo: Hinda Weiss (c) Goethe-Institut New York. Photo: Hinda Weiss (c) Goethe-Institut New York. Photo: Hinda Weiss (c) Goethe-Institut New York. Photo: Hinda Weiss (c) Goethe-Institut New York. Photo: Hinda Weiss (c) Goethe-Institut New York. Photo: Hinda Weiss (c) Goethe-Institut New York. Photo: Hinda Weiss (c) Goethe-Institut New York. Photo: Hinda Weiss (c) Goethe-Institut New York. Photo: Hinda Weiss (c) Goethe-Institut New York. Photo: Hinda Weiss (c) Goethe-Institut New York. Photo: Hinda Weiss

2017
Saim Demircan

Photo by Saim Demircan Photo by Saim Demircan Photo by Saim Demircan Photo by Dan Mitchell Photo by Dan Mitchell Photo by Benjamin Lozovsky Photo by Benjamin Lozovsky Photo by Benjamin Lozovsky Photo by Benjamin Lozovsky Photo by Benjamin Lozovsky Photo by Benjamin Lozovsky Photo by Benjamin Lozovsky Photo by Benjamin Lozovsky Photo by Benjamin Lozovsky Photo by Benjamin Lozovsky Photo by Benjamin Lozovsky Photo by Benjamin Lozovsky Photo by Benjamin Lozovsky Photo by Benjamin Lozovsky Photo by Benjamin Lozovsky Photo by Benjamin Lozovsky Photo by Benjamin Lozovsky Photo by Benjamin Lozovsky Photo by Benjamin Lozovsky Photo by Benjamin Lozovsky Photo by Benjamin Lozovsky Photo by Benjamin Lozovsky Photo by Benjamin Lozovsky Photo by Benjamin Lozovsky Photo by Benjamin Lozovsky Photo by Benjamin Lozovsky Photo by Benjamin Lozovsky Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Dillon Sachs Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum OVER app logo Sidsel Meineche Hansen, Hollow Eyed, (2017) Photo by Yair Oelbaum OVER app loading screen Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum OVER app Sidsel Meineche Hansen, Antifa (2017) Photo by Yair Oelbaum Photo by Saim Demircan Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo by Yair Oelbaum Photo: Leo Koivistoinen Photo: Leo Koivistoinen Photo: Leo Koivistoinen Photo: Leo Koivistoinen Photo: Leo Koivistoinen Photo: Leo Koivistoinen Photo: Leo Koivistoinen Photo: Leo Koivistoinen Photo: Leo Koivistoinen Photo: Leo Koivistoinen Photo: Leo Koivistoinen Photo: Leo Koivistoinen

2016
Nina Tabassomi

Leah Dixon—<i>A Pirate’s Meal</i>. Photo: Cheon Pyo Lee Leah Dixon—<i>A Pirate’s Meal</i>. Photo: Cheon Pyo Lee Leah Dixon—<i>A Pirate’s Meal</i>. Photo: Cheon Pyo Lee Leah Dixon—<i>A Pirate’s Meal</i>. Photo: Cheon Pyo Lee Leah Dixon—<i>A Pirate’s Meal</i>. Photo: Cheon Pyo Lee Leah Dixon—<i>A Pirate’s Meal</i>. Photo: Cheon Pyo Lee Leah Dixon—<i>A Pirate’s Meal</i>. Photo: Cheon Pyo Lee Leah Dixon—<i>A Pirate’s Meal</i>. Photo: Cheon Pyo Lee Leah Dixon—<i>A Pirate’s Meal</i>. Photo: Cheon Pyo Lee Leah Dixon—<i>A Pirate’s Meal</i>. Photo: Cheon Pyo Lee Leah Dixon—<i>A Pirate’s Meal</i>. Photo: Cheon Pyo Lee Leah Dixon—<i>A Pirate’s Meal</i>. Photo: Cheon Pyo Lee Leah Dixon—<i>A Pirate’s Meal</i>. Photo: Cheon Pyo Lee Leah Dixon—<i>A Pirate’s Meal</i>. Photo: Cheon Pyo Lee Leah Dixon—<i>A Pirate’s Meal</i>. Photo: Cheon Pyo Lee Emeka Ogboh—<i>Das Afrikanische Bierlaboratorium I</i>. Photo: Cheon Pyo Lee Emeka Ogboh—<i>Das Afrikanische Bierlaboratorium I</i>. Photo: Cheon Pyo Lee Emeka Ogboh—<i>Das Afrikanische Bierlaboratorium I</i>. Photo: Cheon Pyo Lee Emeka Ogboh—<i>Das Afrikanische Bierlaboratorium I</i>. Photo: Cheon Pyo Lee Emeka Ogboh—<i>Das Afrikanische Bierlaboratorium I</i>. Photo: Cheon Pyo Lee Emeka Ogboh—<i>Das Afrikanische Bierlaboratorium I</i>. Photo: Cheon Pyo Lee Emeka Ogboh—<i>Das Afrikanische Bierlaboratorium I</i>. Photo: Cheon Pyo Lee Emeka Ogboh—<i>Das Afrikanische Bierlaboratorium I</i>. Photo: Cheon Pyo Lee Emeka Ogboh—<i>Das Afrikanische Bierlaboratorium I</i>. Photo: Cheon Pyo Lee Emeka Ogboh—<i>Das Afrikanische Bierlaboratorium I</i>. Photo: Cheon Pyo Lee Emeka Ogboh—<i>Das Afrikanische Bierlaboratorium I</i>. Photo: Cheon Pyo Lee Emeka Ogboh—<i>Das Afrikanische Bierlaboratorium I</i>. Photo: Cheon Pyo Lee Emeka Ogboh—<i>Das Afrikanische Bierlaboratorium I</i>. Photo: Cheon Pyo Lee Emeka Ogboh—<i>Das Afrikanische Bierlaboratorium I</i>. Photo: Cheon Pyo Lee <i>Infrastructures of Pain</i>. Photo: Cheon Pyo Lee <i>Infrastructures of Pain</i>. Photo: Cheon Pyo Lee <i>Infrastructures of Pain</i>. Photo: Cheon Pyo Lee <i>Infrastructures of Pain</i>. Photo: Cheon Pyo Lee <i>Infrastructures of Pain</i>. Photo: Cheon Pyo Lee <i>Infrastructures of Pain</i>. Photo: Cheon Pyo Lee <i>Infrastructures of Pain</i>. Photo: Cheon Pyo Lee <i>Infrastructures of Pain</i>. Photo: Cheon Pyo Lee <i>Infrastructures of Pain</i>. Photo: Cheon Pyo Lee <i>Infrastructures of Pain</i>. Photo: Cheon Pyo Lee <i>Infrastructures of Pain</i>. Photo: Cheon Pyo Lee <i>Infrastructures of Pain</i>. Photo: Cheon Pyo Lee <i>Infrastructures of Pain</i>. Photo: Cheon Pyo Lee Arash Hanaei—<i>Capital Complex</i>. Photo: Fernando Sandoval Arash Hanaei—<i>Capital Complex</i>. Photo: Fernando Sandoval Arash Hanaei—<i>Capital Complex</i>. Photo: Fernando Sandoval Arash Hanaei—<i>Capital Complex</i>. Photo: Fernando Sandoval Arash Hanaei—<i>Capital Complex</i>. Photo: Fernando Sandoval Arash Hanaei—<i>Capital Complex</i>. Photo: Fernando Sandoval Arash Hanaei—<i>Capital Complex</i>. Photo: Fernando Sandoval Arash Hanaei—<i>Capital Complex</i>. Photo: Fernando Sandoval Arash Hanaei—<i>Capital Complex</i>. Photo: Fernando Sandoval Arash Hanaei—<i>Capital Complex</i>. Photo: Fernando Sandoval Arash Hanaei—<i>Capital Complex</i>. Photo: Fernando Sandoval Courtesy the artist Courtesy the artist and Arsenal Distribution Anne Neukamp—<i>Rollladen 2016</i>. Photo: Ambika Singh Anne Neukamp—<i>Rollladen 2016</i>. Photo: Fernando Sandoval Anne Neukamp—<i>Rollladen 2016</i>. Photo: Fernando Sandoval Anne Neukamp—<i>Rollladen 2016</i>. Photo: Ambika Singh Anne Neukamp—<i>Rollladen 2016</i>. Photo: Fernando Sandoval Anne Neukamp—<i>Rollladen 2016</i>. Photo: Fernando Sandoval Anne Neukamp—<i>Rollladen 2016</i>. Photo: Fernando Sandoval Anne Neukamp—<i>Rollladen 2016</i>. Photo: Fernando Sandoval Courtesy Mounira Al Solh and Sfeir-Semler Gallery Courtesy Cathleen Schuster Courtesy the artist <i>New-Self-Portrait-Paradox</i>. Photo: Fernando Sandoval <i>New-Self-Portrait-Paradox</i>. Photo: Fernando Sandoval <i>New-Self-Portrait-Paradox</i>. Photo: Fernando Sandoval <i>New-Self-Portrait-Paradox</i>. Photo: Fernando Sandoval <i>New-Self-Portrait-Paradox</i>. Photo: Fernando Sandoval <i>New-Self-Portrait-Paradox</i>. Photo: Fernando Sandoval <i>New-Self-Portrait-Paradox</i>. Photo: Fernando Sandoval <i>New-Self-Portrait-Paradox</i>. Photo: Fernando Sandoval <i>New-Self-Portrait-Paradox</i>. Photo: Fernando Sandoval <i>New-Self-Portrait-Paradox</i>. Photo: Fernando Sandoval <i>New-Self-Portrait-Paradox</i>. Photo: Fernando Sandoval <i>New-Self-Portrait-Paradox</i>. Photo: Fernando Sandoval <i>New-Self-Portrait-Paradox</i>. Photo: Fernando Sandoval <i>New-Self-Portrait-Paradox</i>. Photo: Fernando Sandoval <i>New-Self-Portrait-Paradox</i>. Photo: Fernando Sandoval <i>New-Self-Portrait-Paradox</i>. Photo: Fernando Sandoval <i>New-Self-Portrait-Paradox</i>. Photo: Fernando Sandoval <i>New-Self-Portrait-Paradox</i>. Photo: Fernando Sandoval <i>New-Self-Portrait-Paradox</i>. Photo: Fernando Sandoval <i>New-Self-Portrait-Paradox</i>. Photo: Fernando Sandoval <i>New-Self-Portrait-Paradox</i>. Photo: Fernando Sandoval © Carey Young. Courtesy Paula Cooper Gallery, New York © Carey Young. Courtesy Paula Cooper Gallery, New York Courtesy Pilvi Takala, Carlos/Ishikawa London Courtesy Neda Saeedi

2015
Vivien Trommer

Kate Newby <i>Natural Flavor</i>, installation view Kate Newby Kate Newby <i>Natural Flavor</i>, installation view <i>Natural Flavor</i>, installation view <i>Natural Flavor</i>, installation view Olivia Erlanger & Jessi Reaves Kerry Tribe <i>Natural Flavor</i>, installation view Rasmus Høj Mygind Simon Dybbroe Møller Kayode Ojo Maja Cule Maja Cule Hayley Aviva Silverman Installation view Meechy Darko Defense Distributed Erick Arc Elliott Defense Distributed Defense Distributed Flatbush ZOMBIES Video still Video still Video still Video installation Video installation Zuzanna Czebatul: <i>Opus Sectile</i> Zuzanna Czebatul: <i>Opus Sectile</i> Zuzanna Czebatul: <i>Opus Sectile</i> Zuzanna Czebatul: <i>Opus Sectile</i> Zuzanna Czebatul: <i>Opus Sectile</i> Zuzanna Czebatul: <i>Opus Sectile</i> Zuzanna Czebatul: <i>Opus Sectile</i> Zuzanna Czebatul: <i>Opus Sectile</i> Zuzanna Czebatul: <i>Opus Sectile</i> Zuzanna Czebatul: <i>Opus Sectile</i> Zuzanna Czebatul: <i>Opus Sectile</i> Zuzanna Czebatul: <i>Opus Sectile</i> Zuzanna Czebatul: <i>Opus Sectile</i> Photo © Jacobia Dahm Photo © Jacobia Dahm Photo © Jacobia Dahm Photo © Jacobia Dahm Photo © Jacobia Dahm Photo © Jacobia Dahm Photo © Jacobia Dahm Photo © Jacobia Dahm Photo © Jacobia Dahm Photo © Jacobia Dahm Photo © Jacobia Dahm Photo © Jacobia Dahm Photo © Jacobia Dahm Photo © Gareth Smit Photo © Gareth Smit Photo © Gareth Smit Photo © Gareth Smit Photo © Gareth Smit Photo © Gareth Smit Photo © Gareth Smit Photo © Gareth Smit Photo © Gareth Smit Photo © Gareth Smit Photo © Gareth Smit Photo © Gareth Smit Keren Cytter Studio for Propositional Cinema Studio for Propositional Cinema Studio for Propositional Cinema Studio for Propositional Cinema Keren Cytter Keren Cytter Keren Cytter Photo © Jacobia Dahm Photo © Jacobia Dahm Photo © Jacobia Dahm Photo © Jacobia Dahm Photo © Jacobia Dahm Photo © Jacobia Dahm Photo © Jacobia Dahm Photo © Jacobia Dahm Photo © Jacobia Dahm Photo © Jacobia Dahm Photo © Jacobia Dahm Photo © Jacobia Dahm Photo © Sara Hylton Photo © Sara Hylton Photo © Sara Hylton Photo © Sara Hylton Photo © Sara Hylton Photo © Sara Hylton Photo © Sara Hylton Photo © Sara Hylton Photo © Sara Hylton Photo © Sara Hylton Anna-Sophie Berger: <i>Growing Horns</i> Anna-Sophie Berger: <i>Growing Horns</i> Anna-Sophie Berger: <i>Growing Horns</i> Anna-Sophie Berger: <i>Growing Horns</i> Anna-Sophie Berger: <i>Growing Horns</i> Anna-Sophie Berger: <i>Growing Horns</i> Anna-Sophie Berger: <i>Growing Horns</i> Anna-Sophie Berger: <i>Growing Horns</i> Anna-Sophie Berger: <i>Growing Horns</i> Anna-Sophie Berger: <i>Growing Horns</i> Anna-Sophie Berger: <i>Growing Horns</i> Anna-Sophie Berger: <i>Growing Horns</i> Anna-Sophie Berger: <i>Growing Horns</i> <i>The problem today is not the other but the self</i>, installation view Andy Coolquitt Andy Coolquitt Andy Coolquitt Andy Coolquitt Doug Ashford Flaka Haliti <i>The problem today is not the other but the self</i>, installation view <i>The problem today is not the other but the self</i>, installation view James G. Atkinson & Helen Demisch Lena Henke Lena Henke

2014
Eva Birkenstock

2013
Jakob Schillinger

My Throat, My Air, 2013 Video 17 min. My Throat, My Air, 2013 Video 17 min. My Throat, My Air, 2013 Video 17 min. My Throat, My Air, 2013 Video 17 min. My Throat, My Air, 2013 Video 17 min. My Throat, My Air, 2013 Video 17 min. My Throat, My Air, 2013 Video 17 min. My Throat, My Air, 2013 Video 17 min. My Throat, My Air, 2013 Video 17 min. My Throat, My Air, 2013 Video 17 min. My Throat, My Air, 2013 Video 17 min. My Throat, My Air, 2013 Video 17 min. My Throat, My Air, 2013 Video 17 min. My Throat, My Air, 2013 Video 17 min. My Throat, My Air, 2013 Video 17 min. From the series Europa (I), 2011 Gelatin Silver Print 20 x 32cm installation view  Nina Könnemann installation view  Nina Könnemann installation view  Nina Könnemann installation view  Nina Könnemann installation view  Nina Könnemann installation view Andy's Cake (1992) Michael White  Exhibition view Celluloid Brushes  Sascha Braunig  Gloria Maximo  Exhibition view Celluloid Brushes Sam Pulitzer Silvia Kolbowski Mathieu Malouf Stephen Wilks Keren Cytter B. Wurtz Carissa Rodriguez Steinar Haga Kristensen Megan Francis Sullivan Daniel Bozhkov  Exhibition view Celluloid Brushes  Exhibition view Celluloid Brushes  Exhibition view Celluloid Brushes  Exhibition view Celluloid Brushes  Exhibition view Celluloid Brushes  Exhibition view Celluloid Brushes  Exhibition view Celluloid Brushes  Exhibition view Celluloid Brushes Nina Könnemann Rainer Ganahl Patrick Price: Various Swans Class Relations (The Happy End) Not in New York Hugs Rash Decision I see the big bat, very hard to... Patrick Price: Various Swans Canal St [TBDONTBD] I like / I dont like revisited © Sunah Choi Bayrle: Portikus Under Construction Bayrle: Portikus Under Construction Bayrle and Anglès/Widger Bayrle and Anglès/Widger Anglès/Widger: Open edition SqU Adrian Jeftichew: Bumerang Adrian Jeftichew: Bumerang Adrian Jeftichew: Bumerang Adrian Jeftichew: Bumerang Adrian Jeftichew: Bumerang Adrian Jeftichew: Bumerang Adrian Jeftichew: Bumerang Adrian Jeftichew: Bumerang Adrian Jeftichew: Bumerang Adrian Jeftichew: Bumerang Adrian Jeftichew: Bumerang Adrian Jeftichew: Bumerang

2012
Clara Meister

Maria Loboda Maria Loboda Maria Loboda Maria Loboda Is Peace Possible Before Peace? Is Peace Possible Before Peace? Is Peace Possible Before Peace? Is Peace Possible Before Peace? A Dog Republic A Dog Republic A Dog Republic A Dog Republic Installation Installation Installation Still, A Guide to Insults and Misanthropy A Guide to Insults and Misanthropy A Guide to Insults and Misanthropy A Guide to Insults and Misanthropy A Guide to Insults and Misanthropy Saâdane Afif Installation View Mount Moon in the subway Mount Moon in the subway Before the performance Mr Empire Performance Bo Christian Larsson Shawn Greenlee Installation Shot Installation Shot Book launch Saâdane Afif Book launch Saâdane Afif Book launch Saâdane Afif Screening Tan Lin Screening Tan Lin Screening Tan Lin Screening Tan Lin Natalie Czech Natalie Czech Natalie Czech Natalie Czech Jonathan Monk Pierre Bismuth Antonia Hirsch Hank Schmidt in der Beek Exhibition View

2011
Tobi Maier

h.arta group, Everyday Fragments. Photo: Mikolaj Szoska h.arta group, Everyday Fragments. Photo: Mikolaj Szoska h.arta group, Everyday Fragments. Photo: Mikolaj Szoska Rituals of the Art World. Photo: Mikolaj Szoska Rituals of the Art World. Photo: Mikolaj Szoska Rituals of the Art World. Photo: Mikolaj Szoska Rituals of the Art World. Photo: Mikolaj Szoska Rituals of the Art World. Photo: Mikolaj Szoska Rituals of the Art World. Photo: Mikolaj Szoska The Making of the Chinese New Working Class. Photo: Mikolaj Szoska The Making of the Chinese New Working Class. Photo: Mikolaj Szoska The Making of the Chinese New Working Class. Photo: Mikolaj Szoska The Making of the Chinese New Working Class. Photo: Mikolaj Szoska The Making of the Chinese New Working Class. Photo: Mikolaj Szoska Catalina Parra. Photo: Mikolaj Szoska Catalina Parra. Photo: Mikolaj Szoska Catalina Parra. Photo: Mikolaj Szoska Catalina Parra. Photo: Mikolaj Szoska Józef Robakowski. Photo: Mikolaj Szoska Józef Robakowski. Photo: Mikolaj Szoska Józef Robakowski. Photo: Mikolaj Szoska Józef Robakowski. Photo: Mikolaj Szoska Józef Robakowski. Photo: Mikolaj Szoska Józef Robakowski. Photo: Mikolaj Szoska Waldemar Cordeiro & Franz Mon. Photo: Mikolaj Szoska Waldemar Cordeiro & Franz Mon. Photo: Mikolaj Szoska Waldemar Cordeiro & Franz Mon. Photo: Mikolaj Szoska Waldemar Cordeiro & Franz Mon. Photo: Mikolaj Szoska

2010
Künstlerhaus Stuttgart

installation view installation view Manuel Raeder Kasper Akhøj Dave Hullfish Bailey Jarbas Lopes Cristóbal Lehyt Mariana Castillo Deball Mariana Castillo Deball Judith Raum Judith Raum Judith Raum Cristóbal Lehyt

2009
European Kunsthalle

still from: António Cunha Telles’s 'Continuar a Viver' (1975) still from: António Cunha Telles’s 'Continuar a Viver' (1975) still from: António Cunha Telles’s 'Continuar a Viver' (1975) still from: António Cunha Telles’s 'Continuar a Viver' (1975) still from: António Cunha Telles’s 'Continuar a Viver' (1975) Franz Erhard Walther, <i>Connection (Head)</i>, Number 31 from 1. Werksatz, 1967, cotton. Photo: Timm Rautert. Courtesy Peter Freeman, Inc. Franz Erhard Walther, <i>Sockel, vier Bereiche (Keeping the Canvas Square in Shape)</i>, Number 49 from 1. Werksatz, 1967. Photo: Timm Rautert. Courtesy Peter Freeman, Inc. installation view front gallery Gerard Byrne Ricardo Basbaum Friedl Kubelka Friedl Kubelka Friedl Kubelka Friedl Kubelka I.G. Boxing, 1977 installation view L.D. American Imperialism 1971/2009 I.G. Truths about Capitalism, 1977 I.G. My Beloved Bucharest, 1977 I.G. Truths about Capitalism, 1977

2008
Kunstverein München

Tim Braden Tim Braden Tim Braden Tim Braden Pablo Pijnappel Pablo Pijnappel Manon de Boer Manon de Boer Angela Bulloch Angela Bulloch Carsten Höller Carsten Höller Joseph Strau Stephan Dillemuth Joseph Strau Stephan Dillemuth Joseph Strau Stephan Dillemuth Michael Riedel, 2008, <i>Ohne Titel</i> (Druckbogen